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For a song that employs no electric guitars — in fact, no stringed instruments appear on the album at all — the track truly rocks. While the Silver Lake Conservatory of Music Children's Choir feature prominently on the duo's debut LP, and early versions of "In the Room Where You Sleep" included the choir, the final version finds Gosling and Shields painting the creepy picture themselves. Musically it is challenging and inspiring, for it does not represent death as an ebbing, fading, experience, but as an appreciation for the here and now.Lightly based on an underlying Latin current representing travel and adventure, Muñoz composed "Savannah," over twenty-five years ago in his homeland of Costa Rica, and for this reprise version, stimulates the band in a friendly jam session.In many cases IDPs are even worse off, as they are often trapped in war zones and cannot receive aid or protection from international organizations.The reasons for this record number of forcibly displaced people are that intractable conflicts like Afghanistan have been ongoing for many years, more recent destructive conflicts, such as the war in Syria, are happening with greater frequency, and solutions for these increasing numbers have not kept pace with the flow of refugees.On this current release, he adheres to a strictly instrumental presentation, his working quartet sometimes pared down to a trio format, or augmented by special guests.

The United Nations High Commissioner for Refugees (UNHCR) reports that more than 65 million people are currently “forcibly displaced,” more even than at the end of World War II.

"Tierranegra" is dedicated to Brazilian composer and multi-instrumentalist Hermeto Pascoal, and is based on an accelerated samba rhythm featuring flutist Norma La Tuchie, who defines the brisk pace with melodic grace under fire.

The title track, refers to the character in the short story who falls on his machete, and as he lays dying, does not flashback on his past life, but is mysteriously attune to his present environment, taking in his surroundings for the last time.

This soft yet dramatic section is highlighted by guitarist Daniel Zimmerman and bassist Brendan Statom, who play off of each other with ease.

Using the palindrome reference in "Seveneves," Muñoz, explores the complex 7/8 time signature, utilizing percussionist Ramses Araya to emphasis the projected intensity.

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